Showing posts with label Paul Mazursky. Show all posts
Showing posts with label Paul Mazursky. Show all posts

Friday, November 5, 2010

Jill Clayburgh - Apr 30, 1944 - Nov 5, 2010


This evening THE FUTURIST! learned of the death of actress Jill Clayburgh due to a battle with chronic leukemia. The sudden news came as quite a surprise. Clayburgh was an actress that left a great impression on THE FUTURIST! in his younger days. She has done some work, mostly television, in her later years, but she seemed almost forgotten in his mind ... and the reality of her passing brought back grand memories of two specific performances that he'll never forget.

THE YOUNG FUTURIST! saw her wonderful emotional performance in Paul Mazursky's AN UNMARRIED WOMAN. This was a film that THE FUTURIST! can't even imagine being made today for adult audiences. It was a specific beautifully written "woman's picture" from 1978. This was a film that was fully afloat due to this single performance by Clayburgh. A woman is unceremoniously dumped by her cheating husband and left alone with her teenage daughter. The scene where she learns of his plans to leave her is so painful to watch. Clayburgh leaves this brief brutal moment of cold disengagement and walks the streets of Manhattan slowly staggering, trying to make sense of what had just happened ... sick to her stomach by the tipsy turn of events in her even keeled world. The character's emotions are played out on her face and her pain and puzzlement is evident by the master strokes of her acting. The film continues on, as does Clayburgh's character, trying to find a new life for herself and becoming stronger as an independent woman. The film was even beater due to the co-starring role by Alan Bates (a THE FUTURIST! favorite who he briefly met one New York day outside a Broadway theater) as an abstract painter who becomes the new man in her life. But, AN UNMARRIED WOMAN doesn't go where you expect it to go ... the movie is as strong as it's protagonist and never flinches in its truth.

The other film wherein Clayburgh left an impression was the romantic comedy directed by Alan J. Pakula entitled STARTING OVER. Clayburgh plays a lonely mousy school teacher who meets Burt Reynolds' recently divorced character. The fears, sadness, determination, insecurity and other mixtures of emotion a mature woman trying to decide to act on in her yearning for a connection are beautifully expressed. This is a comedy, but there are real emotions here regarding men and women reaching that point in life where they feel the human need for love could be gone forever after a certain age. It's a very satisfying film ... another kind of film that is not made today. A film about mature adult people in love.

THE YOUNG FUTURIST! loved both these films and the fondness for them and the great talent of a truly great actress still stays with THE ADULT THE FUTURIST! They also bring back memories to THE FUTURIST! of people he was accompanied by when he saw each film. The sad death of Ms. Clayburgh stirs many memories ... of a great actress gone, a style of intelligent American film no longer made and people of our past who are lost except in our mind's eye.

A brief scene from AN UNMARRIED WOMAN:


Saturday, February 27, 2010

Saturday Music for Paul Mazursky

THE FUTURIST! found this montage of clips from the films of Paul Mazursky set to music composed by one of his favorite musical geniuses. If any of you do not know who Paul Mazursky is and what films he directed, that is a shame. Mr. Mazursky has not made a LOT of films, but he was a shining light in the production of film during the 70s and 80s. He is a director and screenwriter and started as an actor. In many of his films, he will appear briefly as a minor character or just as a walk on. HE has, also, appeared in many other director's films as an actor. The many films he steered toward completion to the screen varied in subject matter; mostly dramas tinged with melancholy comedy that explored human relationships that encompassed wife swapping couples, the rocky road of marriage, divorce, infidelity, immigrants, social and class struggles and the lonely elderly all lost in a changing America. THE FUTURIST! wants to re-watch some of these films again and he anticipates a book on Mr. Mazursky arriving next Spring from the author Sam Wasson who recently wrote a very good tome on the film career of Blake Edwards.

The montage below does flow with visual teases from all of Mazursky's films; a few are missing. You will see one of THE FUTURIST!'s favorite underrated actors George Segal in these scenes and see images from:

BOB & CAROL & TED & ALICE (1969)
BLUME IN LOVE (1973)
HARRY & TONTO (1974)
NEXT STOP, GREENWICH VILLAGE (1976)
AN UNMARRIED WOMAN (1978)
THE TEMPEST (1982)
MOSCOW ON THE HUDSON (1984)
DOWN AND OUT IN BEVERLY HILLS (1986)
ENEMIES: A LOVE STORY (1989)
THE PICKLE (1993)

The song you will hear accompany this images is played at the conclusion of BOB & CAROL & TED & ALICE. It is played over the final sequence which rates very high in THE FUTURIST!'s favorite movie endings. It is an ending that might not play well for today's audience, but it is soul lifting, beautiful, and Felliniesque.

Listen and watch and then rent these films:


WHAT THE WORLD NEEDS NOW IS LOVE
performed by Jackie DeShannon
composed by Burt Bacharach